EN

Tuba admission requirements for BA and non-degree studies

Admission requirements are the same for in person and online applicants unless indicated otherwise.

Main subject

Programme:

  • C. Kopprasch: 60 Selected Etudes for Tuba, etude no. 35
  • V. Blazhevich: 70 Studies for BB flat Tuba, No. 20 (with contrabass tuba if possible)
  • Telemann: Fantasia VII. or VIII. or IX. (Editions BIM)
  • One piece of a different style, or two contrasting movements of a sonata or a performance piece, chosen by the candidate

The candidate should show knowledge at a level of Secondary Music School – lip resonance, warm-ups, correct posture of body and instrument, initiation of sound, breathing techniques, lip flexibility, manual techniques.

Sound Range – from contra C to one-line A.

Physical capability.

 

GENERAL ADMISSION REQUIREMENTS – ONLY FOR FULL-TIME BA STUDIES

SOLFEGE, MUSIC THEORY - for applicants for the online entrance examination

A. SOLFEGE, MUSIC THEORY

General requirements: in-depth understanding of the theory of classical harmony (diatonic triads and seventh-chords, their inversions; double dominant; sharpened subdominants with diminished seventh [#IIo7, #IVo7] and their inversions), knowledge of simple and complex forms (incl. compound ternary form [Trio form]).
 
Written examination:
1.) Dictation of a four-part harmonic progression (max. 15 chords), notation of all parts; indication of the harmonic progression with figures above or below the bass line (figured bass) or with Roman and Arabic numerals. (Played 6 times.)
2.) Writing out, in close voicing, of two four-part harmonic progressions (max. 11 chords) from Roman and Arabic numberals.
3.) Dictation of a Baroque imitative polyphonic excerpt (max. 8 bars, 4/4 time signature, generally moving in quavers; played 10 times).
4.) Dictation of a sequence including ten triads and seventh-chords (and their inversions) built on common bass note. The chords should also be named. (Played 3 times.)
5.) Indication of the parts of simple and compound binary and ternary forms of a musical excerpt given on the spot. Indication of proper keys, modulations, cadences and functions are also needed.
 
Oral examination:
1.) Playing (on the keyboard) of four-part harmonic progressions in close voicing (max. 11 chords) with appropriate voice-leading (after dictation).
2.) Sight-singing of the vocal part of a German romantic song – selected first of all from the works of Schubert, Schumann and Brahms (max. 12 bars).

 

B. PIANO AS COMPULSORY SUBJECT

  • J. S. Bach: a short prelude of higher difficulty level or a two-part invention.
  • A movement from a classical sonata, or a sonatina movement of the same difficulty level.
  • Bartók: one piece from "Microcosmos III" or from "For Children II".
  • A solo piece of the above difficulty level.

 

C. FOLK MUSIC

  • Informal conversation about the folk music of the candidate's country.