The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Liszt & Kodály

12 December 2018, 18.00-21.00

Old Academy of Music, Chamber Hall

Encounters with Ferenc Liszt

Liszt & Kodály

Concert of New Liszt Ferenc Chamber Choir

Victoria: Ave Maria
Liszt: Ave Maria
Verdi: Ave Maria
Liszt: Elegie No. 2 for Cello and Piano
Handl:
Pater noster
Liszt:
Pater noster
Verdi: Pater noster
Kodály: Sonatina for Cello and Piano, Op. 4
Palestrina
: Miserere
Liszt: Harmonies poétiques et religieuses (Poetic and Religious Harmonies) – 8. Miserere, d'après Palestrina
Rudi Tas: Miserere for Cello and Mixed Choir
Liszt: O heilige Nacht!
Kodály: Advent Song

New Liszt Ferenc Chamber Choir
Conductor: László Norbert Nemes
Featuring: Ditta Rohmann (cello), Emese Mali (pump organ)

Presented by

Liszt Ferenc Society, Liszt Academy Concert Centre

Tickets:

HUF 1 800, reduced: HUF 900, it is possible to buy tickets at the ticket office of the Liszt Academy of Music or at Liszt Museum