The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Gábor Takács-Nagy Chamber Music Master Class

3 October 2019, 16.00-19.00


Gábor Takács-Nagy Chamber Music Master Class Presented by Liszt Academy


16.00-16.45: Dániel Molnár (viola), Marcell Molnár (piano)
Brahms: Sonata for Viola and Piano No. 1 in F minor, Op. 102/1 – 1. Allegro appassionato

16.45-17.30: Virág Hévízi (violin), Eszter Kalocsai (viola), Fanni Pelle (cello), Eszter Juhász (piano)
Mozart: Piano Quartet No. 1 in G minor, K. 478 – 1. Allegro

17.30-18.15: Fanni Temesvári, Szilvia Magyar (violin), Bence Vitályos (viola), Flóra Csőke (cello)
Schubert: String Quartet No. 13 in A minor, D. 804 (‘Rosamunde’) – 1. Allegro ma non troppo

18.15-19.00: Sára Szabó (violin), Bettina Hirling (piano)
Beethoven: Sonata for Violin and Piano No. 7 in C minor, Op. 30/2 – 1. Allegro con brio

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department


The master class is free of charge and open to all interested as the rooms' capacity allows. No preliminary application is necessary. Certificates of attendance are not issued.