The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Students of Júlia Pászthy & Atilla Kiss B.

9 December 2019, 19.00-21.00

Old Academy of Music, Chamber Hall

Students of Júlia Pászthy & Atilla Kiss B. Presented by Liszt Academy

Bartók: Eight Hungarian Folk Songs, BB 47 – 1. Fekete főd, 4. Annyi bánat, 5. Ha kimegyek
Händel: Israel in Egypt, HWV 54 – Thou didst blow
Julianna Lili Boelens, Erasmus (vocals)
Liszt: Vergiftet sind meine Lieder (to the poem by Heinrich Heine)
Viski: Tavaszodik (to the poem by Lajos Áprily)
Zsófia Mikó, MA I. (vocals)
Gounod: Romeo et Juliette – Je veux vivre
Mária Lökösházi, MA II. (vocals)
Wagner: Wesendonck Lieder – 4. Schmerzen
Turina: Cantares
Zsófia Mikó (vocals)
Mozart: Vorrei spiegarvi, oh Dio! – koncertária, K. 418
Mária Lökösházi (vocals)
Teachers: Pászthy Júlia
Featuring: Gábor Alszászy, Márta Budai (piano)


INTERMISSION

Mozart: Vorrei spiegarvi, oh Dio! – concert aria, K. 418
Evelin Drahos, MA oratorio I. (vocals)
Tchaikovsky: Нет, только тот, кто знал
Tchaikovsky: Новогреческая песня
Ádám Pete, MA oratorio II. (vocals)
Offenbach: Hoffmann meséi – Olympia áriája
Dalma Süle, MA opera I. (vocals)
Rachmaninov: В моей душе
Ádám Pete (vocals)
Liszt: Three Petrarch Sonnets – 2. Pace non trovo
Evelin Drahos (vocals)
Petrovics: Lüszisztráté – Aria of the head of the Women's Choir
Dalma Süle (vocals)

Teacher: Kiss-B. Atilla
Featuring: Dalma Cseh, Harazdy Miklós (piano)

Tickets:

Admission is free, subjected to the capacity of the room.