The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Klára Csordás DLA Concert

5 November 2018, 19.00-21.00

Solti Hall

Klára Csordás DLA Concert Presented by Liszt Academy

Händel: „Presti omai” - Cesare's Aria from the opera Giulio Cesare
Händel: „Ombra mai fu” - Serse's Aria from the opera Serse
Händel: „Empio per farti guerra” - Bajazet's Aria from the opera Tamerlano 
Händel: „Where’er you walk” - Jupiter's Aria from the opera Semele 
Vivaldi: „Sposa son disprezzata”- Irene's Aria from the opera Bajazet
Vivaldi: „Anderò, volerò” - Orgille's Aria from the opera Orlando finto pazzo
Anima Musicae Chamber Orchestra (artistic director: László G. Horváth)
Brahms: Zwei Gesänge, Op. 91.
Ditta Rohmann (cello), Emese Mali (piano)


Respighi: Il tramonto - Poemetto lirico per canto e quartetto d’archi
String Quartet formed by the members of Anima Musicae Chamber Orchestra
Fauré: Après un rêve (David Walter's transcription)
Fauré: Mandoline (David Walter's transcription)
Liszt: Über allen Gipfeln ist Ruh (Géza Gémesi's transcription)
Anima Musicae Chamber Orchestra (artistic director: László G. Horváth)

Klára Csordás (vocals)