The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Eszter Karasszon & Zsuzsanna Homor

22 January 2019, 19.00-21.00

Old Academy of Music, Chamber Hall

Eszter Karasszon & Zsuzsanna Homor

Debussy: Nocturne and scherzo
Debussy: Intermezzo (transription for cello and piano)
Moór: Suite for Cello and Piano, Op. 117
Debussy: Sonata for Cello and Piano
Moór: Sonata for Cello and Piano No. 2, Op. 55

Karasszon Eszter (cello), Homor Zsuzsanna (piano)

Presented by

Zeneakadémia Koncertközpont

Supporter:

MMA and the Liszt Academy Artist Management

Tickets:

Admission is free, subjected to the capacity of the room.