The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Chamber Music Master Class by Imre Rohmann

26 February 2019, 10.00-17.00

Room X

Chamber Music Master Class by Imre Rohmann

10.00–11.00: Anna Sándor (violin), Endre Ábrám (piano)
Mozart: Sonata for Violin and Piano No. 17 in C major, K. 296

11.00–12.00: Kristóf Tóth (violin), Eszter Agárdi (cello), Henrik Szőcs (piano)
Schubert: Piano Trio No. 2 in E-flat major, D. 929

12.00–13.00: Fanni Pelle (cello), Flóra Minya (piano)
Beethoven: Sonata for Cello and Piano No. 2 in G minor, Op. 5/2

intermission

16.00–17.00: Ramóna Rádli (cello), Barnabás Kérges (piano)
Dvořák: Four Romantic Pieces, Op. 75
J. S. Bach: Sonata for Viola da Gamba and Harpsichord in D major, BWV 1028

15.00–16.00: Yuya Mizuno (cello), Tomohiko Mizutani (piano)
Beethoven: Sonata for Cello and Piano No. 4 in C major, Op. 102/1

 

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

Admission is free but subjected to the capacity of the rooms. Applying in advance is not necessary. For passive participants the Academy does not provide a certificate.