The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

2 March 2019, 11.00-13.00

Old Academy of Music, Chamber Hall

Liszt Museum Matinée Concert

Festival de la francophonie: Gilles Combecave and István Lajkó

Berlioz: Les nuits d'été (Summer Nights), Op. 7 – 1. Villanelle, 2. Le spectre de la rose, 3. Sur les lagunes, 5. Au cimetière (clair de lune), 6. L’île inconnue
Hahn: A Chloris
Saint-Saëns: Mélodies persanes, Op. 26 – 1. La brise, 2. La splendeur vide, 3. La solitaire, 5. Au cimetière
Fauré: Au bord de l’eau, Op. 8/1
Fauré: Les berceaux, Op. 23/1
Fauré: Le papillon et la fleur, Op. 1/1
Fauré: Après un rêve, Op. 7/1
Duparc: Chanson triste
Hahn: Études latines – 2. Néère, 7. Tyndaris
Hahn: Trois jours de vendange

Gilles Combecave (vocals), István Lajkó (piano)

Tickets:

HUF 2000, reduced: HUF 1000, it is possible to buy tickets at the ticket office of the Liszt Academy of Music or at Liszt Museum