The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

12 March 2019, 19.00-21.00

Old Academy of Music, Chamber Hall

Tokyo College of Music Master Class Final Concert

Fauré: Dolly Suite, Op. 56 – 1. Berceuse, 6. Le pas espagnol
Nakada: Four Seasons in Japan – 1. Spring Has Come and Cherry Blossoms Bloomed, 5. From Early Autumn to Mid-Autumn
J. S. Bach: Toccata in E minor, BWV 914
Haydn: Keyboard Sonata No. 56 in D major, Hob. XVI:42
Chopin: Nocturne No. 8 in D-flat major, Op. 27/2
Prokofiev: Sarcasms, Op. 17 – 1. Tempestoso, 2. Allegro rubato, 3. Allegro precipitato
Tchaikovsky: Dumka, Op. 59
Liszt: Transcendental Études – 1. Preludio, 5. Feux follets
Debussy: Préludes, Book 1 – 5. Les collines d'Anacapri
Shostakovich: Prelude and Fugue No. 5 in D major, Op. 87/5
Poulenc: Les soirées de Nazelles – excerpts
Bartók: Sonata, BB 88 – 1. Allegro moderato
Schumann: Drei Fantasiestücke, Op. 111
Bartók: Sonata, BB 88 – 3. Allegro molto

Students of the Tokyo College of Music and Liszt Ferenc Academy of Music