EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
Students of Márta Gulyás

15 April 2019, 18.00-21.00

Old Academy of Music, Chamber Hall

Liszt Academy Home Concerts

Students of Márta Gulyás Presented by Liszt Academy

Chamber Music Concerts 2018/19 Spring

Webern: Two Pieces
Webern: Three Little Pieces, Op. 11
Aya Shirai (cello), Riko Hosomi (piano)
Mozart: Sonata for Violin and Piano No. 17 in C major, K. 296
Eszter Réthy (violin), Sebestyén Pellet (piano)
Beethoven: Variations in E-Flat Major on ‘Bei Männern welche Liebe fühlen’ from Mozart’s Die Zauberflöte, WoO 46
Rachmaninov: Sonata for Cello and Piano in G minor, Op. 19
János Aranyos (cello), Ábel Horváth (piano)
Schnittke: Sonata for Cello and Piano No. 1
Attila Kónya (cello), Nina Ustinova (piano)
R. Strauss: Sonata for Cello and Piano in F major, Op. 5
Máté Tomasz (cello), András Moldoványi (piano)

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

Admission is free, subjected to the capacity of the room.

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