The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
György Pauk Chamber Music Master Class

16 April 2019, 11.00-17.00

Room X

György Pauk Chamber Music Master Class Presented by Liszt Academy

11.00-12.00: Vanessza Korb (violin), Dalma Felszegi (piano)
Brahms: Sonata for Violin and Piano in D minor, Op. 108.

12.00-13.00: Sándor Anna (violin), Ábrám Endre (piano)
Brahms: Sonata for Violin and Piano No. 3 in D minor, Op. 108

intermission

14.00-15.00: Bakari Gibradze (violin), Giulia Persi (piano)
Beethoven: Sonata for Violin and Piano No. 5 in F major, Op. 24 (‘Spring’)

15.00-16.00: Nagao Haruka (violin), Yuya Mizuno (cello), Tomohiko Mizutani (piano)
Schumann: Piano Trio No. 1 in D minor, Op. 63

16.00-17.00: Hoang Ho Khanh Van (violin), Hoang Ho Thu (piano)
Brahms: Sonata for Violin and Piano No. 3 in D minor, Op. 108 – 1. Allegro

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

Admission is free and subjected to the capacity of the room. No preliminary application is necessary. The Liszt Academy does not issue attendance certificates about passive participation.