The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Students of Mihály Demeniv

17 May 2019, 17.30-19.00

Room X

Students of Mihály Demeniv

Accordion Recital

Lecuona: Andalucia
Renáta Kovács (accordion)
Featuring: Anna Páljános (flute)
Angelis: Soliloque
Piazzolla: Revirado
Dowlasz: Malo nas
Weyde: Alle Jahre wieder
Dóra Durovics (accordion)
Zubickij: Waltz
Dóra Durovics, Péter Halász (accordion)
Geszler: Rondo
John Williams – Vjacseszlav Szemionov: Unforgettable
Hajdenko: Verbunk
Przybylski: La Folia – excerpt
Renáta Kovács (accordion)
J. S. Bach: Das Wohltemperierte Klavier, Book 1 – Preludium and Fugue in A-flat major, BWV 862
Albéniz: Cantos de España, Op. 232 – 4. Córdoba
Völgyben és ködben – Ukranian Folk Song (transcription by I. Matvejeva)
Péter Halász (accordion)
Mozart: Sonata for Violin and Piano No. 21 in E minor, K. 304
Péter Halász (accordion)
Featuring: Mihály Kovács (cimbalom)

Teacher: Mihály Demeniv


Admission is free, subjected to the capacity of the room.