The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Students of Gábor Csalog

20 May 2019, 18.00-21.00

Room X

Liszt Academy Home Concerts

Students of Gábor Csalog

Chamber Music Concerts 2018/19 Spring

Beethoven: Piano Trio No. 1 in E-flat major, Op. 1/1
Annamária Ott (violin), Balázs Tiborcz (cello), Panna Pokoraczki (piano)
J. S. Bach: Sonata for Viola da Gamba and Harpsichord in G major, BWV 1027
Hidetaka Shirai (viola), Kensuke Hagi (piano)
Beethoven: Sonata for Cello and Piano No. 4 in C major, Op. 102/1
Emma Petruska (cello), Eszter Juhász (piano)
Bruch: Eight Pieces for Clarinet, Cello and Piano, Op. 83 – 1. Andante, 2. Allegro con moto, 3. Andante con moto, 4. Allegro agitato
Zsombor Eszenyi (clarinet), Benedek Dolfin (cello), Máté Puskás (piano)
Debussy: Sonata for Cello and Piano in D minor
Eszter Agárdi (cello), Henrik Szőcs (piano)

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

Admission is free, subjected to the capacity of the room.