EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
Doctoral Concerts 8

2 June 2019, 19.00-21.00

Old Academy of Music, Chamber Hall

Doctoral Concerts 8 Presented by Liszt Academy

Ravel: Valses nobles et sentimentales
Panni Hotzi (piano)
Ivana Bilic: Tafate
Áskell Másson: Kím
Bence Simon (marimba, snare drum)
Karłowicz: Violin Concerto in A major, Op. 8
Miranda Liu (violin), Winni Wan-Chun Tsou (piano)

intermission

Messiae: Le merle noir
Dalma Ilyés (flute), Bálint Baráth(piano)
Attila Reményi: Strokes
Bence Simon (marimba)
Catalani: „Ebben? Ne andró lontana” – Wally's Aria from La Wally
Dvořák: „Měsíčku na nebi hlubokém” – Rusalka's Aria from Rusalka
Zsófia Staszny (vocals), Ferenc János Szabó (piano)
Brahms: Piano Trio No. 1 in B major, Op. 8 – 1. Allegro con brio, 2. Scherzo. Allegro molto, 3. Adagio for Strings, Op. 11
Miranda Liu (violin), Barna Károly (cello), Alexandra Balog (piano)

Presented by

Liszt Academy Doctoral School

Tickets:

Admission is free, subjected to the capacity of the room.

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