The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Gábor Takács-Nagy Chamber Music Master Class

2 October 2019, 16.00-19.00

Room X

Gábor Takács-Nagy Chamber Music Master Class Presented by Liszt Academy

 
16.00-16.45: Eszter Várallyay (violin), Emma Petruska (cello), Márton Mikulík (piano)
Beethoven: Piano Trio No. 1 in E-flat major, Op. 1/1 – 1. Allegro, 2. Adagio cantabile
 
16.45-17.30: Norbert Hegyi (clarinet), Fanni Pelle (cello), Eszter Szabó (piano)
Brahms: Clarinet Trio in A minor, Op. 114
 
17.30-18.15: Karolina Kondorosi (violin), Matsunaga Minami (piano)
Brahms: Sonata for Violin and Piano No. 1 in G major, Op. 78 – 1. Vivace, ma non troppo
 
18.15-19.00: Kriszta Pethő (oboe), Boglárka Paulovits (violin), Annamária Horváth (viola), Bertille Mas (cello)
Mozart: Oboe Quartet in F major, K. 370

 

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

The master class is free of charge and open to all interested as the rooms' capacity allows. No preliminary application is necessary. Certificates of attendance are not issued.