The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
MÁV Symphony Orchestra

3 October 2019, 19.00-21.30

Grand Hall

MÁV Symphony Orchestra

Bartók: Hungarian Sketches, BB 103
D. Scarlatti: Keyboard Sonata in E major, K. 380
D. Scarlatti: Keyboard Sonata in C major, K. 159
Chopin: Étude in A-flat major (‘Harp’), Op. 25/1
Chopin: Étude in G-flat major, Op. 10/5
Chopin: Nocturne in B-flat minor, Op. 9/1
Chopin: Polonaise in A-flat major (‘Heroic’), Op. 53
Liszt: Grandes études de Paganini
Mozart: Piano Concerto No. 21 in C major, K. 467

Ingrid Fuzjko Hemming (piano)
MÁV Symphony Orchestra
Conductor: Mario Kosik

Presented by

MÁV Symphony Orchestra

Tickets:

HUF 2 000, 3 000, 4 000