The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Students of Tamás Rónaszéki

28 November 2019, 18.00-21.00

Room XXIII

Liszt Academy Home Concerts

Students of Tamás Rónaszéki Presented by Liszt Academy

Chamber Music Concerts 2019/2020 Autumn

Piazzolla: Histoire du Tango – 2. Café 1930
Zsuzsanna Csabay (flute), Levente Szobonya (guitar)
Debussy: Préludes, Book 1 – 8. A lenhajú lány
Debussy: Arabesque in E major
Janka Csiki, Péter Riesz (guitar)
Bartók: Romanian Folk Dances, BB 68
Piazzolla: Histoire du Tango – 1. Bordel 1900
Rebeka Frecska (flute), Zsolt Mándli (guitar)
Stummer Márton: Four Character Pieces for Flute and Guitar
Dorottya Takács (flute), Bence Rizmajer (guitar)

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

Admission is free, subjected to the capacity of the room.