The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Chamber Music master class by György Pauk

5 December 2019, 11.00-17.00

Room X

Chamber Music master class by György Pauk Presented by Liszt Academy

Schedule of the master class:

11.00-12.00: Hunor Egyed (clarinet), Balázs Dolfin (cello), Dávid Szilasi (piano)
Brahms: Clarinet Trio in A minor, Op. 114

12.00-13.00: Flóra Blahunka (cello), Ábel Horváth (piano)
Beethoven: Sonata for Cello and Piano No. 1 in F major, Op. 5/1
Beethoven: Sonata for Cello and Piano No. 2 in G minor, Op. 5/2


15.00-16.00: Violetta Haraszti (violin), Flóra Minya (piano)
Mozart: Sonata for Violin and Piano No. 18 in G major, K. 301

16.00-17.00: Sasazuka Midori (violin), Kinga Gál (cello), Niinomi Takuya (piano)
Smetana: Piano Trio in G minor, Op. 15– 1. Moderato assai – Più animato

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department


The master class is free of charge and open to all interested as the rooms' capacity allows. No preliminary application is necessary. Certificates of attendance are not issued.