The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Hommage à Edit Hambalkó

7 December 2019, 15.00-17.00

Solti Hall

Hommage à Edit Hambalkó Presented by Liszt Academy

Mozart: Fantasia No. 3 in D minor, K. 397
Mozart: Menuett in D major, K. 355
Gábor Eckhardt (piano)
Mozart: Piano Concerto in D major, K. 381 – 2. Andante
András Baráth, András Kiss (piano)
Kistétényi: For Edit – Sadness in Two Vocals
András Baráth (piano)
J.S. Bach: Piano Concerto in D minor, BWV 974 – 2. Adagio for Strings, Op. 11 (based on Benedetto Marcello's Oboe Concerto)
J.S. Bach-Busoni: Toccata, adagio and fugue in C major, BWV 564 – Adagio for Strings, Op. 11
attila Pless (piano)
Haydn: Sonata for Piano No. 33 in C minor, Hob. XVI:20 – 1. Moderato
Deborah Kiszely (piano)
Chopin: Nocturne
Krisztina Wehner (piano)
Debussy: Images, Book 1 – 1. Miroirs on the Water
Dóra Bizják (piano)
Janáček: Madonna from Frýdek
Róza Radnóti (piano)
Liszt: Recueillement
Fülöp Ránki (piano)
Liszt: Via crucis (for four hands)
Edit Klukon, Dezső Ránki (piano)


Admission to the concert is free. Tickets can be claimed at the Ticket Office of the Liszt Academy.