The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
László Baranyay

18 December 2019, 18.00-21.00

Old Academy of Music, Chamber Hall

László Baranyay Presented by Liszt Academy

Chopin: Ballade No. 4 in F minor, Op. 52
Annamária Matli (piano)
Schumann: Faschingsschwank aus Wien, Op. 26
Zsófia Szabó (piano)
Beethoven: Piano Sonata No. 9 in E major, Op. 14/1
Kanae Kuronayagi (piano)
J. S. Bach: Preludium and Fugue in G minor
Rachmaninov: Etude in C minor
Amira Satey (piano)
Haydn: Keyboard Sonata No. 48 in C major, Hob. XVI:35
Arthur Bocaneanu (piano)
Brahms: Variations on a Theme by Paganini, Op. 35 – 1st Season
Barber: Excursions, Op. 20
Chuen-An Chern (piano)
Dohnányi: Ruralia Hungarica, Op. 32a – excerpts
Ábel Veress (piano)
J. S. Bach: Preludium and Fugue in G major 
Debussy: Préludes, Book 1 – 12. Minstrels
Dóra Bálint (piano)


Admission is free, subjected to the capacity of the room.