The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

18 December 2019, 18.00-21.00

Room XXIII

Liszt Academy Home Concerts

Students of Gábor Csalog Presented by Liszt Academy

Chamber Music Concerts 2019/2020 Autumn

Haydn: String Quartet No. 60 in G major, Hob. III:75
Borbála Kovács, Anna Máté (violin), Viktória Sánta (viola), Mária Kutas (cello)
Beethoven: Sonata for Violin and Piano No. 6 in A major, Op. 30/1
Anna Máté (violin), Panna Pokoraczki (piano)
Brahms: Sonata for Viola and Piano No. 1 in F minor, Op. 120/1
Boglárka Szűcs (viola), Anna Nagy (piano)
Fauré: Sonata for Violin and Piano No. 1 in A major, Op. 13 (transcription for flute and piano)
Eszter Király (flute), Eszter Juhász (piano)
Brahms: Clarinet Trio in A minor, Op. 114
Hunor Egyed (clarinet), Balázs Dolfin (cello), Dávid Szilasi (piano)

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

Admission is free, subjected to the capacity of the room.

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