The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

20 December 2019, 18.00-21.00

Room X

Liszt Academy Home Concerts

Students of Gábor Monostori Presented by Liszt Academy

Chamber Music Concerts 2019/2020 Autumn

Edward Grieg: Sonata for Violin and Piano No. 3 in C minor, Op. 45
Eszter Réthy (violin), Antónia Páli (piano)
Saint-Saëns: Sonata for Violin and Piano No. 1 in D minor, Op. 75
Simon Morgenstein (violin), Csanád Barbarics (piano)
Mendelssohn: Piano Trio No. 1 in D minor, Op. 49
Lídia Paulik (violin), Zheng Yuan Qi (cello), Flóra Minya (piano)
Poulenc: Sonata for Clarinet and Piano
Bence Csapó (clarinet), Zsuzsanna Pauló (piano)
Piazzolla: Histoire du Tango
Mascha Otradinski (flute), Sebastien Clerk (guitar)

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

Admission is free, subjected to the capacity of the room.

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