The point is to increase gradually the level of the understanding, cultivation and practice of musical art. This task falls particularly to the new Academy.

Liszt to Antal Augusz

Balázs, Ádám Composition Department Digital Orchestration and Recording, Logic, Studio Technique as Main Subject

Dr. Barta, Gergely Composition Department Free Composition as Main Subject, Instrumental and Vocal Counterpoint

Bella, Máté Composition Department 20th Century Styles of Composing in Practice, Composition Main Subjects, Transposing and Score Reading

Bolcsó, Bálint Composition Department Composition Methods, Electronic Composition as Main Subject, Music Programming, Orchestration

Dobszay, Péter Composition Department Contemporary Music, Ensemble Conducting

Fekete, Gyula Composition Department Classical and Free Composition as Main Subject, Orchestration, Prosody

Horváth, Balázs Composition Department Analysis, Contemporary Composition Techniques, Solfège and Music Theory

Káel, Norbert Composition Department Popular Music Performing Practice

Kecskés D., Balázs Composition Department Classical Composition Practice as Main Subject, Classical Composition Techniques, Composition

Kerestes, Szabolcs Composition Department Electronic Music Media Subjects

Kertész, Krisztián Composition Department Interactive Media

Serei, Zsolt Composition Department Composition Main Subjects

Sőrés, Zsolt Composition Department Analysis of Film Soundtracks, Electronic Music Notation, Scores

Szakál Farkas, Soma Composition Department Developing Vocal Timbre Through Solfège, Digital Orchestration and Recording

Szigetvári, Andrea Composition Department Composition as Main Subject, Electronic Composition as Main Subject

Tihanyi, László Composition Department Analysis, Classical Composition Practice as Main Subject, Composition DLA Seminar, Musical and Musicology Seminars, Solfège and Music Theory

Tornyai, Péter Composition Department Composition as Main Subject, Contemporary Music, Orchestration as Main Subject