I am not exaggerating when I say that, whatever I achieved as a musician, I owe more to Leó Weiner than to anyone else. ... To me, he remains an outstanding example of what a musician should be.

Sir Georg Solti

Andorka, Péter Composition Department Solfége, Music Theory, Analysis

Balázs, Ádám Composition Department Digital Orchestration and Sound Recording, Logic, Studio Technique main subject

Dr. Barta, Gergely Composition Department Instrumental and vocal counterpoint, Free composition as Main Subject

Bella, Máté Composition Department Composition Main Subjects, XX. Century Composition Practice

Bolcsó, Bálint Composition Department Electronic music

Dargay, Marcell Composition Department Classical Composition Practice, Transposing and Score Reading

Fekete, Gyula Composition Department Composition, Orchestration, Prosody

Kecskés D., Balázs Composition Department Compositional techniques for major and non-major students

Kerestes, Szabolcs Composition Department Electronic music media subjects

Kertész, Krisztián Composition Department Interactive media

Serei, Zsolt Composition Department Classical and Free Composition, Contemporary Music

Sőrés, Zsolt Composition Department Motion Picture Soundtrack Analysis, Scores, Electronic Music Notation

Szakál Farkas, Soma Composition Department Developing Vocal Timbre Through Solfége, Digital Orchestration and Recording

Szigetvári, Andrea Composition Department Electronic Composition, Music Informatics

Tornyai, Péter Composition Department Orchestration Main Subject, Composition Main Subject, Contemporary Music

Vajda, János Composition Department Classical Composition Practice Main Subject

Vidovszky, László Composition Department Composition Main Subject