The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

Ábrahám, Márta Strings Department Violin

Ács Szily, Éva Department of Teacher Education Violin Teaching Methodology on Primary Level

Agócs, Márta Department of Teacher Education Cello Teaching Methodology on Secondary Level

Almási-Tóth, András Department of Vocal and Opera Studies Stage Acting

Alszászy, Gábor Department of Vocal and Opera Studies Piano accompaniment

Ambrus, Károly Department of Teacher Education Horn Teaching Methodology on Secondary Level

Andorka, Péter Composition Department, Music Theory Department Solfège, Music Theory, Analysis

Antal, Mátyás Woodwind and Brass Department Wind Ensemble, Chamber Music

Árendás, Péter Folk Music Department Folk Viola (main subject), Folk String Chamber Music, Repertoire Studies

Asztalos, Kata Kodály Institute Early Childhood Music Education