The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Doctoral Concerts 2

19 November 2018, 19.00-21.00

Solti Hall

Doctoral Concerts 2

D. Scarlatti: Sonata in G minor, K. 30 (‘Cat fugue’)
Couperin: Pièces de clavecin – Les papillons, Le moucheron, Les abeilles
Rameau: Suite in G major – 12. La poule
Grieg: Lyric works, book 3, Op. 43 – 1. Butterfly
Schumann: Waldszenen (Forest Scenes), Op. 82 – 7. Vogel als Prophet
Glinka-Balakirev: The Lark
Éva Szalai (piano)
Liszt: Der du von dem Himmel bist 
Liszt: Vergiftet sind meine Lieder
Mihalovich: Bitte
Mihalovich: Im Herzen Trüb und traurig
Zsófia Staszny (vocals), Ferenc János Szabó (piano)
Végh: Mädchenlied
Korbay Ferenc: Loch Ness
Zsófia Staszny (vocals), Ferenc János Szabó (piano)
Liszt: Ihr Glocken von Marling
Debussy: Suite Bergamasque – 1. Prélude, 2. Menuet
Panni Hotzi (piano)
Messiaen: Theme and Variations
Eszter Osztrosits (violin), Ádám Tabajdi (piano)
Symanowsky: Sonata for Violin and Piano in D minor, Op. 9
Miranda Liu (violin), Éva Szalai (piano)

Presented by

Liszt Academy Doctoral School


Admission to the concert is free. Tickets can be claimed at the ticket office of the Liszt Academy one month before the concert.