Liszt is to piano playing what Euclid is to geometry.

Alan Walker

Classical Singing admission requirements for BA and non-degree studies

Due to the coronavirus emergency situation, entrance examinations and admission requirements are modified in 2020. Please see the red text below for the current admission requirements.

 

Information about the admission examinations and calculation of scores in the admission procedure in 2020 can be found here.

Main Subject

The candidates must submit a 20-minute video recording.

Piano accompaniment performed by an accompanist during the recording or piano accompaniment performance that can be downloaded from the internet are allowed in the video recording.

Video recording requirements:

  • the pieces must differ in style and character
  • identity of the candidate must be clearly followable in the recording
  • each piece must be recorded and submitted uncut

Via Skype conference:

  • voice production: individual warm up with the assigned teacher
  • career orientation: interview with the applicant regarding their motivation

 

COMPULSORY SUBJECTS – ONLY FOR FULL-TIME BA STUDIES

The examinations will be held through video conference.

A. Solfege – Music Theory

General requirements: in-depth understanding of the theory of classical harmony (diatonic triads and seventh-chords, their inversions; double dominant; sharpened subdominants with diminished seventh [#IIo7, #IVo7] and their inversions), knowledge of simple and complex forms (incl. compound ternary form [Trio form]).

 

Oral examination:

1. Singing intervals as well as diatonic triads and seventh-chords to the given bass note.

2. Sight-singing of the vocal part of a German romantic song – selected first of all from the works of Schubert, Schumann and Brahms (max. 12 bars).

3. Recognizing and naming the chords of classical harmonic progressions by ear.

4. Assessment of the applicant's knowledge of form on the basis of a detailed formal analysis of the musical pieces performed at the main subject audition. Providing and uploading the sheet music of pieces are the applicants’ responsibility.

Sheet music examples are available in the original entrance examination requirements.

 

B. Folk Music

Informal conversation about the folk music of the candidates’s country.

 

Due to the coronavirus emergency situation, there will be no examination in piano as compulsory subject during the 2020 entrance examinations.

 

 

 

 

Admission Requirements 2019

MAIN SUBJECT

General admission requirements:

  • Voice qualities suitable for training.
  • Musical talent - good aural skills, sense of rhythm, etc.
  • Performing skills - acting, formation of melodies, etc.

Pieces:

  • One old Italian baroque song.
  • One Viennese classical song.
  • Two romantic songs.
  • Two Hungarian songs: one Kodály folk song arrangement and one art song.
  • One art song or aria at the choice of the candidate.

Career Orientation:

Interview with the applicant regarding their motivation

Voice production:

Individual warm up with the assigned teacher

Music and Prose Learning Skills:

Performance of one vocal piece and one prose selected by the Examination Committee after individual preparation

Theatrical skills:

Participation in situation exercise (assessing the activity of the applicant)

 

COMPULSORY SUBJECTS – ONLY FOR FULL-TIME BA STUDIES

A. SOLFEGE, MUSIC THEORY

General requirements: in-depth understanding of the theory of classical harmony (diatonic triads and seventh-chords, their inversions; double dominant; sharpened subdominants with diminished seventh [#IIo7, #IVo7] and their inversions), knowledge of simple and complex forms (incl. compound ternary form [Trio form]).
 
Written examination:
1.) Dictation of a four-part harmonic progression (max. 15 chords), notation of all parts; indication of the harmonic progression with figures above or below the bass line (figured bass) or with Roman and Arabic numerals. (Played 6 times.)
2.) Writing out, in close voicing, of two four-part harmonic progressions (max. 11 chords) from Roman and Arabic numberals.
3.) Dictation of a Baroque imitative polyphonic excerpt (max. 8 bars, 4/4 time signature, generally moving in quavers; played 10 times).
4.) Dictation of a sequence including ten triads and seventh-chords (and their inversions) built on common bass note. The chords should also be named. (Played 3 times.)
5.) Indication of the parts of simple and compound binary and ternary forms of a musical excerpt given on the spot. Indication of proper keys, modulations, cadences and functions are also needed.
 
Oral examination:
1.) Playing (on the keyboard) of four-part harmonic progressions in close voicing (max. 11 chords) with appropriate voice-leading (after dictation).
2.) Sight-singing of the vocal part of a German romantic song – selected first of all from the works of Schubert, Schumann and Brahms (max. 12 bars).
 

B. PIANO AS COMPULSORY SUBJECT

  • J. S. Bach: a short prelude of higher difficulty level or a two-part invention.
  • A movement from a classical sonata, or a sonatina movement of the same difficulty level.
  • Bartók: one piece from "Microcosmos III" or from the 2nd edition of "For Children".
  • A solo piece of the above difficulty level.

 

C. FOLK MUSIC

  • Informal conversation about the folk music of the candidate's country.