Cristo Barrios 2 napos mesterkurzusa
CRISTO BARRIOS
klarinétművész, a kortárszene elismert művelője, szólista és kamarazenész
egy különleges mesterkurzus keretében látogat ismét Budapestre
A kurzusra aktívként csak a Zeneakadémia hallgatója,
passzívként bármely intézmény hallgatója jelentkezhet!
Jelentkezni B. Nagy Juditnál lehet a 462-4600/214-es számon
vagy a bnagy.judit[kukac]lfze.hu e-mail címen!
The experience of performance
Február 28. csütörtök
One to One clarinet lessons (altogether 14 students) (10:00-20:00)
Semmelweis 212. terem
10:00-13:00: Clarinet master class: (6 students). 40’ lesson each
13:00-14:00: Lunch
14:00-14:30: Meeting with recording team
Régi Zeneakadémia, Kamaraterem (VI., Vörösmarty u. 35)
15:00-17:30: Clarinet master class: (5 students). 40’ lesson each
18:00-18:30: Break
18:30-20:30: Clarinet master class (3 students). 40’ lesson each
Március 1. péntek
Régi Zeneakadémia, Kamaraterem (VI., Vörösmarty u. 35) 9.30-19.30
Active Performance Day
(Workshops with dancers, singers and improvisers)
9.30 – 10.00: Warm-up, sound check
10:00-12:30: Workshop: Dancing and musical performance
OPEN TO ALL STUDENTS in collaboration with a DANCER
Aim: The use of physical intuition as a tool for musical performance.
Content:
- Acting from the stomach.
- Feeling the space.
- Body awareness.
- Physical phrasing.
Procedure:
- Selection of a student prepared to play the first of the Three Pieces for solo clarinet by Igor Stravinsky.
- On stage: a dancer, Cristo Barrios and the proposed student.
- Brief explanation of all the contents of this workshop.
- Theoretical explanations will be followed by practical demonstrations.
12:30-14:00: Lunch
14:00-16:00: Workshop: Singing and playing
OPEN TO ALL STUDENTS
In collaboration with the SINGING DEPARTMENT
Introduction
This section will include working with singers and it will allow us to talk about many performing subtleties that singers, because of the nature of their instrument, assume as evident: theatricality, body language, gesture, phrasing, sound as a basic musical tool, etc.
Aim: To digest and fully explore what can be learnt from a singing performance and apply it to the instrumental performance.
Proposed lieder
Fauré: Les Berceaux (B flat minor)
Wolf: Auch kleine Dinge (A major)
Methodology
Content
- Phrasing.
- Theatre/gesture.
- The tone. Use of the sound as a basic tool.
- Emotions and body language.
Procedure
- Fundamentals.
- The clarinettist plays the song.
- The singer performs the same song with the pianist.
- Exercises.
- Open debate.
- New performance applying new ideas.
16:00-16:30: Break
16:30-18:30: Workshop: Free improvisation
OPEN TO ALL STUDENTS
In collaboration with the JAZZ DEPARTMENT
Aim:
- To rescue the creative view of performance.
- To assume responsibility in performance.
Content:
- Intervals, a problem for the classical musician.
- Creative impulse.
- When choice becomes a problem.
- Personal emotional connection.
Procedure:
- Brief explanation of all the contents of this workshop.
- On stage: two jazz students and two classical performers.
- Exercises.
- Theoretical explanations will be followed by practical demonstrations.
18:30-19:00: Free improvisation performance (Cristo Barrios)